Tuesday, April 13, 2010

Memorial services


To show solidarity with our Polish brothers and sisters in their time of mourning for the victims of the terrible plane crash of Saturday, April 10 that killed 96 people, including their President, Lech Kaczynski, the Toledo’s Polish community will gather for a memorial Mass at St. Adalbert's Catholic Church on Wednesday, April 14th, at 6:30 PM.  This mass will be a candlelit memorial for the victims of the crash and we urge all people to attend this mass. If you are not able to attend the whole ceremony, please come to sign the Condolence Book, which will be sent to Warsaw to join other condolence books coming from all around the world.

Poland’s mourning color is black. You can show your support by wearing black or the national colors of Poland of red and white. Those who have Polish flags, please bring them along. We will have some candles available, but feel free to bring your own candles as well.

Please, forward this message to all your friends and family members – help us spread the word and make this event a true commemoration of Poland’s great people, who died on their way to attend a memorial service of nearly twenty-two thousand Polish people killed in Katyn during the Second World War.

Following is schedule for the Memorial Service:

6:00    Signing of the Condolence Book starts
6:25    Laying of the wreath
6:30    Novena to Our Lady of Czestochowa followed by Mass
7:30    Reading of the names of the crash victims
            Candlelit Vigil

Lidia (Bosek) Ebersole

Tuesday, April 6, 2010

"Pożegnanie ojczyzny- Polonez M.K. Ogiński - Dedykuję Przyjaciołom You Tube"

One of my favorite recordings of Polonaise Ojcyzny


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"... mistrz na koniec strunami wszystkiemi
Zagrzmiał, i głosy zdusił,jakby wbił do ziemi.
Ledwie słuchacze mieli czas wyjść z zadziwienia,
Znowu muzyka inna - znów zrazu brzęczenia
Lekkie i ciche, kilka strunek jęczy,
Jak kilka much, gdy z siatki wyrwą się pajęczej.
Lecz strun coraz przybywa,już rozpierzchłe tony
Łączą się i akordów wiążą legijony ...
... bo mistrz tony wznosi,
Natęża, takty zmienia, coś innego głosi...''

( A. Mickiewicz, Pan Tadeusz)

W podziękowaniu za możliwość udziału w konkursie dla organizatora i wszystkich współuczestników i widzów
- Natalka .

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Thursday, April 1, 2010

Zampa was the name of a Pirate



From Wikipedia, the free encyclopedia

Zampa, ou La fiancée de marbre (Zampa, or the Marble Bride) is an opéra comique in three acts by French composer Louis Joseph Ferdinand Hérold. The libretto was written by Anne-Honoré-Joseph Duveyrier de Mélésville.

The overture to the opera is one of Hérold's most famous works and is a staple of orchestral repertoire.


Performance history

Zampa was first performed in Paris on May 3, 1831 at the Opéra-Comique (Salle Ventadour), where it became popular, achieving 500 performances by 1877. In the 20th century however, it faded from the repertoire. It was also popular in Germany and Italy, in the latter the spoken dialogue was replaced by recitatives. The opera was revived at the Opéra-Comique in March 2008 under William Christie in a production by Macha Makeïeff and Jérôme Deschamps. [1]



Voice type

Premiere Cast, 3 May 1831

Zampa, a pirate


Jean Baptiste Marie Chollet

Alphonse de Monza



Camille, Alphonse's fiancée













The young Count of Monza, having dissipated the family fortune and seduced then deserted Alice Manfredi, went off to sea to become a pirate. He adopted the name Zampa. Alice Manfredi, roaming in search of her treacherous lover, was taken in and sheltered by Lugano, a wealthy merchant. Alice died shortly thereafter, of a broken heart; and Lugano caused a marble statue of her to be erected in his palace. This statue is venerated by the local people as a saint.

Act 1

Camille, Lugano's daughter, is preparing to marry Alphonse, the younger son of the Monza family, who has never met his elder brother. Just then, by the sort of coincidence beloved of opera librettists, Zampa arrives on the scene, in disguise. He is thought by everyone to be in prison awaiting execution; but in reality he has escaped, and he has just captured Lugano. Now he has arrived at the palace to demand a ransom for Lugano's release.

Zampa is smitten by Camille's beauty and so, in addition, he demands her for himself as the price for Lugano's life. In order to save her father, Camille is thus forced to break her engagement to Alphonse, who is removed from the scene when he, too, is captured by the pirates. Zampa is then joined by his pirates. They take possession of the palace and order Dandolo, the castle steward, to prepare rooms and bring wine for them all. During the ensuing feast Daniel, Zampa' s first mate, notices the statue of Alice. For a joke, Zampa places a ring on the marble Alice's finger and declares her his fiancée for the night. However, when he tries to remove the ring, the statue's hand closes — to the terror of all except Zampa.

Act 2

The following day, Zampa is leading Camille to the altar when — on the very threshold of the chapel — the statue of Alice appears and threatens Zampa. Again, Zampa refuses to be alarmed by the statue. Now Camille's companion Ritta comes on the scene; she is perplexed about two things: first, that Camille is, although apparently unwillingly, about to marry a stranger; and second, that neither the bride's father Lugano nor Alphonse is there. Then Ritta spots Daniel, her supposedly dead husband; this places her in a quandary, because the (much more attractive prospect) Dandolo has been courting her.

The comic sub-plot of this trio continues to weave its way through the rest of the story. Alphonse appears, having made good his escape from the pirates, and recognises Zampa as the pirate chief. As he is in the throes of denouncing Zampa to the assembled company, a pardon arrives from the viceroy: Zampa is to be given his freedom on condition that he and his men go to fight the Turks. All this notwithstanding, the ceremony goes ahead: Zampa and the heartbroken Camille are married.

Act 3

In despair, Alphonse comes at night to bid farewell to the desolate Camille. Alphonse decides to kill Zampa, but he suddenly realizes that Zampa is in fact his long-lost elder brother, and that consequently he is unable to kill him. He leaves Camille' s room.

Zampa and Camille are finally alone together. However, in the final fatal twist of the story, just as Zampa goes to take Camille in his arms, the statue of Alice Manfredi appears again between the couple, and drags Zampa down to hell. (This aspect of the plot is clearly a pastiche of the plot of Mozart's Don Giovanni.)


  • The Viking Opera Guide, ed. Amanda Holden with Nicholas Kenyon and Stephen Walsh, Viking (1993) ISBN 0-670-81292-7
  • The libretto/score of the English version by Jean and Christopher Shaw


  • The Oxford Dictionary of Opera, by John Warrack and Ewan West (1992), 782 pages, ISBN 0-19-869164

External links